MXTW 2008 Reader Contents
Bibliography
Rachilde, “Pleasure,” in Madame La Mort and Other Plays, Kiki Gonnarido & Frazer Lively trans. and ed. (Johns Hopkins University Press, 1998) 81-92.
Rachilde, “The Crystal Spider,” in Symbolist Drama: An International Collection, (Performing Arts journal Publications, 1985) 67-75.
Stanislaw Przybyszewski, “Visitors,” in Symbolist Drama: An International Collection, (Performing Arts journal Publications, 1985) 123-138.
Georges Ribemont-Dessaignes, “The Mute Canary,” in dada performance, Mel Gordon, ed. (Performing Arts Journal Publications, 1987) 104-110.
Tristan Tzara, “The First Celestial Adventure of Mr. Antipyrine, Fire Extinguisher,” in dada performance, Mel Gordon, ed. (Performing Arts Journal Publications, 1987) 52-62.
Harold Pinter, “Trouble in the Works, The Black and White,” in Harold Pinter: Complete Works Two (Grove Press, Inc., 1977) 237-243.
Harold Pinter, “Night, That’s All, That’s Your Trouble, Applicant,” in Harold Pinter: Complete Works Three (Grove Press, Inc., 1977) 223-234.
Ludwig Flaszen, “Akropolis: Treatment of the Text,” in Towards a Poor Theater: Jerzy Grotowski, Eugenio Barba, ed. (Routledge 2002) 61-77.
Peter Handke, “Prophecy” in The Ride Across Lake Constance and Other Plays, M. Roloff, trans. (Farrar, Straus, and Giroux, 1976).
Peter Handke, “Self Accusation” in Peter Handke: Kaspar and Other Plays, M. Roloff, trans. (Farrar, Straus, and Giroux, 1969)
Adrienne Kennedy, “A Rat’s Mass” and “Lesson in a Dead Language,” in Adrienne Kennedy, In One Act, (University of Minnesota Press, 1988) 55-66, 47-54.
Richard Foreman, “Pandering to the Masses: A Misrepresentation,” in The Theater of Images, Bonnie Marranca, ed. (Performing Arts Journal Publications, 1977) 12-36.
JoAnne Akalaitis, “Dressed Like an Egg,” in WordPlays 4, (Performing Arts Journal Publications, 1979) 191-220.
ntozake shange, “Boogie Woogie Landscapes,” in three pieces, (St, Martin’s Press, 1981) 109-142.
Maria Irene Fornes, “The Danube,” in Maria Irene Fornes: Plays (Performing Arts Journal Publications, 1986) 42-64.
Heiner Muller, “Despoiled Shore – Medeamaterial – Landscape with Argonauts” and “Heartpiece,” in Hamletmachine and Other Texts for the Stage, C. Weber, trans. and ed., (Performing Arts Journal Publications, 1984) 123-136 & 120-121.
Caryl Churchill, “The Skriker,” in Churchill: Plays Three (Nick Hern Books, 1998) 239-291.
